Stutter: Difference between revisions
From Louisville Punk/Hardcore History
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STUTTER started as an improvisational music collective based out of Louisville, Kentucky USA in the nihilistic days of late 1970's punk, industrial music and DIY aesthetics. Its influences included electro-acoustic, progressive, free jazz improvisation, electronic, psychedelic, musique concrete, new music, 'krautrock' and industrial noise, as readily as Fluxus, Dada and Futurist sound art experiments and performance art. Various founding members were affiliated with the Louisville School of Art, Louisville Visual Arts Association and ARF (Artists Resistance Front). | STUTTER started as an improvisational music collective based out of Louisville, Kentucky USA in the nihilistic days of late 1970's punk, industrial music and DIY aesthetics. Its influences included electro-acoustic, progressive, free jazz improvisation, electronic, psychedelic, musique concrete, new music, 'krautrock' and industrial noise, as readily as Fluxus, Dada and Futurist sound art experiments and performance art. Various founding members were affiliated with the Louisville School of Art, Louisville Visual Arts Association and ARF (Artists Resistance Front). | ||
==Members== | |||
<LI>JS Adams (BLK w/ BEAR) - samples, tapes, prepared guitar, vocals | <LI>JS Adams (BLK w/ BEAR) - samples, tapes, prepared guitar, vocals | ||
<LI>[[Bob Hunter]] ([[ModernHeirs]]) - drums | <LI>[[Bob Hunter]] ([[ModernHeirs]]) - drums | ||
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<LI>Wayne Ingle - bass +++++ | <LI>Wayne Ingle - bass +++++ | ||
==Releases== | |||
<LI><I>Daddies and Dinosaurs</I>; 1981; unreleased Hit-a-Note studio sessions + | <LI><I>Daddies and Dinosaurs</I>; 1981; unreleased Hit-a-Note studio sessions + | ||
<LI><I>collisions</I>/<I>dialogues</I>; 1983; 12-inch extended play; TMI Records, Pittsburgh PA USA ++ | <LI><I>collisions</I>/<I>dialogues</I>; 1983; 12-inch extended play; TMI Records, Pittsburgh PA USA ++ | ||
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<LI><I>Exploded View</I>; 1992-1993; unreleased ARS studio sessions +++++ | <LI><I>Exploded View</I>; 1992-1993; unreleased ARS studio sessions +++++ | ||
==Former Members and Guests== | |||
Pete Webber - synth | * Pete Webber - synth | ||
* Steve Roberts - drums, keyboards | |||
* Derrick White - vocals | |||
* Eve Spencer - vocals | |||
* [[David Thomas]] ([[Blinders]]) - drums | |||
* [[Wink O'Bannon]] (listed as E.A. Winkler, [[Blinders]]) - bass, guitar | |||
* [[Vera Fiestie]] ([[Melusian]]) - vocals | |||
* [[Albert Hall]] ([[Blinders]]) - vocals | |||
* R. Avery - guitar | |||
* Kenneth Hayden - guitar | |||
* Debbie Hunter - vocals | |||
* Cindy Lamb - vocals | |||
* Ken Randles - vocals | |||
* LA Luv - vocals | |||
==Website== | |||
http://members.iglou.com/artbear/stutter.html | http://members.iglou.com/artbear/stutter.html | ||
Revision as of 22:29, 25 October 2023
STUTTER started as an improvisational music collective based out of Louisville, Kentucky USA in the nihilistic days of late 1970's punk, industrial music and DIY aesthetics. Its influences included electro-acoustic, progressive, free jazz improvisation, electronic, psychedelic, musique concrete, new music, 'krautrock' and industrial noise, as readily as Fluxus, Dada and Futurist sound art experiments and performance art. Various founding members were affiliated with the Louisville School of Art, Louisville Visual Arts Association and ARF (Artists Resistance Front).
Members
Releases
Former Members and Guests
- Pete Webber - synth
- Steve Roberts - drums, keyboards
- Derrick White - vocals
- Eve Spencer - vocals
- David Thomas (Blinders) - drums
- Wink O'Bannon (listed as E.A. Winkler, Blinders) - bass, guitar
- Vera Fiestie (Melusian) - vocals
- Albert Hall (Blinders) - vocals
- R. Avery - guitar
- Kenneth Hayden - guitar
- Debbie Hunter - vocals
- Cindy Lamb - vocals
- Ken Randles - vocals
- LA Luv - vocals